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The Erotic Review has now moved to an online-only format. The new ER eZine is essentially the same as the print version – only bigger, better and presented in a convenient page-flipping interface for screen reading. Soon it will include podcasts, video features, downloadable books and a huge archive for our subscribers.

Issue 112 – the Holiday Issue – is now available to read online or download.

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ER at the Fringe!

Welcome to ER’s coverage of the Edinburgh Fringe Festival. Our dedicated correspondents Kate Copstick and C.J. Lazaretti are sniffing up and down Auld Reekie for naughty comedy, lusty burlesque, kinky cabaret and daring drama. So stay tuned as ER leads you through the best of the Fest and beyond. Have a backstage peek with our video interviews as artists of all genres and backgrounds elaborate on the freshest, most enticing erotic entertainment on display in the Scottish capital.

Brace yourself for the best sex you’ll ever get onstage.

ER at the Fringe: Lovelace – A Rock Musical

It takes a bold step to merge worlds as far apart as porn and stage musicals, but “bold” is the operative word in Lovelace – A Rock Musical.

ER at the Fringe: Meow Meow – Feline Intimate

Wielding the cabaret language of music and comedy with formidable aplomb, international phenomenon Meow Meow is hands down the genre’s hottest ticket right now. Feline Intimate, her current touring show, fully honours the tradition of vaudevillian decadence and audience-abusing antics in her repertoire.

ER at the Fringe: Fair Trade

Fair Trade illustrates the food chain of sex trafficking, from the first approaches by recruiters in poor countries to the realities awaiting smuggled immigrants in England. Executive-produced by Emma Thompson, the project has gathered quite some buzz since its Islington premiere in February 2009.

Fringe Quickies: The Talented Mr. Ripley

Rich, subtle performances bring the Ripley tale to life with great attention to the novel’s Gatsby-esque atmosphere that all the film adaptations failed to convey.

Fringe Quickies: Hit Me: The Life and Rhymes of Ian Dury

This is something you don’t see every day: a West End musical with a cast of two. Focusing on legendary Blockheads frontman Ian Dury’s relationship with his tour manager Fred “Spider” Rowe, the show explores juicy backstage anecdotes like rejecting Andrew Lloyd Webber’s offer to write the Cats libretto, or being sabotaged onstage by Lou Reed’s sound engineer.

ER at the Fringe: First Love

After touring the world with their unusual Beckett repertoire, Irish troupe Gare St. Lazare Players hits the Fringe with their unabridged dramatization of an early short story about a misanthrope’s affair with a prostitute. In the customary vein of the playwright’s output, First Love approaches bleak themes of inadequacy and futility through the lyrically detached perspective of an existential pariah.

Fringe Quickies: Bare

As in “bare-knuckle boxing”. Violence this realistic is rarely seen onstage, but there's more at play here than fists. Acclaimed fight director Renny Krupinski’s tale of a working-class Englishman’s descent into the underworld of illegal boxing is as riveting as its many loud skirmishes.

ER at the Fringe: The Degenerates

This Orwellian sexual nightmare finds two total strangers, Beth and Marcus, locked together with an imperative to mate. As their uneasy dialogue progresses, they share their traumatic experiences of sexual repression, evidencing their conscription into a state-sponsored treatment to eradicate undesirable behavior, which turns out to be homoerotic impulses.